Parallelism in Rhetoric and Literature
In contrast to the strictly grammatical view of parallelism, in rhetoric and literature parallelism can do
much more thanjustcreate a pleasing and grammatical sentence structure. Writers use parallel
grammatical elements within one sentence or, more broadly, between and among different sentences in
a paragraph, foreffect: to emphasize ideas orthemes, suggest connections, or highlight contrasts, all
while adding rhythm to the structure of their expression.
Parallelism and Related Figures of Speech
While parallelism is itself a figure of speech, it can also be seen as a kind of "umbrella" category of a
number of different figures of speech. Put another way: there are a number of figures of speech that
make use of parallelism in specific ways. It's useful to know what these other terms mean, since
technically speaking they are specific types of parallelism.
Parallelism and Antithesis
One literary device that often makes use of parallelism isantithesis. In antitheses, two elements of a
sentence are placed in contrast to one another. This opposition is clearest when a writer puts the ideas
in parallel positions. Neil Armstrong usedantithesiswith parallelism when he first stepped onto the
surface of the moon in 1969, using the parallel structure of the two halves of his sentence to highlight
the contrast between his "small step" and the "giant leap" that this step represented in the history of
humanity.
That's onesmall stepfor a man, onegiant leapfor mankind.
Parallelism and Anaphora
Another specific type of parallelism isanaphora. This figure of speech involves the repetition of at
least one word at the beginning of successive clauses or phrases. In one of Winston Churchill's most
famous speeches during World War II, he makes stirring use ofanaphora:
....We shall fightin France,we shall fighton the seas and oceans,we shall fightwith
growing confidence and growing strength in the air,we shalldefend our island, whatever
the cost may be.We shall fighton the beaches,we shall fighton the landing grounds,we
shall fightin the fields and in the streets,we shall fightin the hills;we shallnever
surrender...
Note that there are also other uses of parallelism in this excerpt of Churchill's speech that do not fall
into the category of anaphora. The different locations that Churchill names ("on the beaches...on the
landing grounds...in the fields and in the streets...in the hills") create parallelism through their
grammatical similarity.
Parallelism and Asyndeton
Inasyndeton, a conjunction (such as "and") is omitted between parts of a sentence to create a certain
rhythm. Often, this is made possible by parallelism, which helps the reader to interpret the sentence's
meaning even when it is not (technically) grammatically correct. In Julius Caesar's famous boast to the