The Rom Commers - Katherine Center PDF

One

LOGAN SCOTT CALLED just as I was making dinner, and I almost

didn’t answer because my dad and I were singing along to ABBA’s greatest

hits. There were not too many people I’d interrupt ABBA for—but yes, fine,

Logan Scott was one of them.

Logan was my former high school boyfriend, who still felt guilty about

the way we broke up, and he dealt with that guilt by sending me job

opportunities.

Not the worst way to handle it.

It was the penance he paid for his unscathed life.

Though nobody’s life is truly unscathed, I guess.

His less-scathed life, maybe.

He was a manager. In Hollywood. For screenwriters. A very glamorous

job.

Technically, he was my manager—although I’d never made him any

money. I was kind of like his pro bono case.

It was fine, he always insisted. I’d pay off eventually.

I’d placed in two different screenwriting contests because Logan

insisted I submit. He got me in the door freelancing for Variety. And all

those movie reviews I got paid minimum wage to do? Courtesy of him.

He just kept sending me work.

I told him to stop feeling guilty. I was fine. But I didn’t exactly mean it.

Not if that guilt of his was going to keep paying my bills.

Some of them, anyway.

All to say, on this particular night, Logan had a doozy of an offer for

me.

“Emma,” he said. “I’m going to need you to sit down.”

“I’m flipping pancakes-for-dinner right now,” I said. My sister, Sylvie,

was coming home from college, so I was making her favorite meal.

“You will definitely drop them all when you hear this,” Logan said, like

he’d pictured me juggling pancakes instead.

I covered the in-progress stack with foil, turned off the music, and gave

my dad a “one minute” finger from across the room.

My dad nodded and gave a hearty thumbs-up, like Do whatever you

need to do.

“I’m ready,” I said to Logan.

“Are you literally sitting down?”

“No.”

“I’m not kidding. You need to do that.”

I walked to our dining-slash-breakfast table and sat down at my

already-set place. “Okay,” I said. “I’m literally sitting.”

“I have a job for you…” Logan said then, pausing for effect.

“I’ll take it,” I said.

“Writing a feature film script…” he went on, stretching out the moment.

“Sold,” I said, like Moving on.

And then he got to his grand finale: “With Charlie Yates.”

Logan had told me to sit—but at the sound of that name, I stood up.

Then I froze. Then frowned. Then waited. Was this a trick?

“Hello?” Logan finally said. “Are you still—”

“I’m sorry,” I said, shaking my head. “I thought I heard you say Charlie

Yates.”

“I did say Charlie Yates.”

I sat back down. “Charlie Yates?” I said, like there was room for

confusion.

I could sense Logan nodding. “Yes.”

But I needed more confirmation. “Charlie Yates who wrote The

Destroyers? Charlie Yates who wrote The Last Gunslinger, and

Overview

The Rom Commers - Katherine Center

The Rom Commers by Katherine Center follows the journey of a screenwriter navigating love, career challenges, and personal growth. Set against the backdrop of Hollywood, the protagonist grapples with her past relationships while pursuing her dreams in a competitive industry. This novel explores themes of romance, friendship, and self-discovery, making it a perfect read for fans of contemporary romance. Published in 2024, it offers a humorous yet heartfelt look at the complexities of modern love. Ideal for readers who enjoy witty narratives and engaging characters. Key Points Explores the life of a screenwriter balancing love and career in Hollywood. Features themes of personal growth, romance, and friendship. Set in a vibrant Hollywood backdrop, highlighting the entertainment indust…

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FAQs

Who is Charlie Yates in 'The Rom Commers'?

Charlie Yates is a legendary screenwriter known for his acclaimed works such as 'The Destroyers' and 'The Last Gunslinger.' He is described as the 'screenwriters’ screenwriter' and has a reputation for writing successful films that have won awards. In the story, he surprises the protagonist, Emma, by writing a romantic comedy, a genre he has never tackled before.

What job opportunity does Logan Scott offer Emma?

Logan Scott offers Emma the chance to ghostwrite a screenplay for Charlie Yates, who has written a rom-com that is reportedly terrible. Logan, who is Charlie's manager, insists that Emma needs to undertake a significant rewrite of the script, which requires her to come to Los Angeles for an in-person collaboration.

How does Emma react to the news about Charlie Yates writing a rom-com?

Emma is initially shocked and skeptical when she hears that Charlie Yates, her favorite screenwriter, has written a rom-com. Her disbelief turns to excitement when Logan confirms it, but she is also concerned about the quality of the script, which Logan describes as 'terrible.' Emma's admiration for Charlie's work makes her eager to take on the challenge of rewriting it.

What are Emma's feelings about her past relationship with Logan?

Emma has mixed feelings about her past relationship with Logan Scott. Although they broke up, Logan continues to support her career by sending her job opportunities, which Emma appreciates. She acknowledges that his guilt over their breakup motivates him to help her, but she also insists that she is fine on her own, even if she secretly enjoys the assistance.

What does Logan mean by 'wooing' Charlie Yates?

Logan tells Emma that she will need to 'woo' Charlie Yates, meaning she must impress him and gain his trust during the rewriting process. This 'wooing' is not romantic but rather a professional effort to connect with a high-profile screenwriter who has a massive ego and prefers in-person collaboration over virtual communication.

What is the significance of the screenplay Emma is asked to rewrite?

The screenplay Emma is asked to rewrite is significant because it represents a major opportunity for her career as a writer. It is tied to a handshake deal that Charlie Yates has with a studio, meaning that the success of this rom-com could lead to the production of another project he is passionate about. This makes Emma's role crucial in helping Charlie Yates regain his footing in Hollywood.

What concerns does Emma have about going to Los Angeles?

Emma is apprehensive about going to Los Angeles due to her responsibilities at home, particularly regarding her father. She feels torn between pursuing this once-in-a-lifetime opportunity and her obligations to her family, especially since her sister Sylvie has just graduated and is expected to take over some of those responsibilities.