The Familiars by Leigh Bardugo follows the intertwining lives of magical familiars and their human companions in a richly imagined world. This fantasy novel explores themes of loyalty, sacrifice, and the bond between humans and their magical counterparts. Set against a backdrop of danger and enchantment, the story delves into the challenges faced by its protagonists as they navigate a treacherous landscape filled with dark forces. Fans of Leigh Bardugo's previous works will appreciate her signature storytelling style and character development. Ideal for readers who enjoy fantasy literature and magical adventures, this novel captivates with its intricate plot and vivid world-building.

Key Points

  • Explores the bond between magical familiars and their human companions
  • Features themes of loyalty, sacrifice, and friendship
  • Set in a richly imagined fantasy world filled with danger
  • Ideal for fans of Leigh Bardugo's previous works and fantasy literature
newtopiccyclegrowin
Author:Leigh Bardugo
326 pages
Language:English
Type:Novel
newtopiccyclegrowin
Author:Leigh Bardugo
326 pages
Language:English
Type:Novel
175
/ 326
I
CHAPTER 1
f the bread hadn’t burned, this would be a very different story. If the
cook’s son hadn’t come home late the night before, if the cook hadn’t
known he was hanging around that lady playwright, if she hadn’t lain
awake fretting for his immortal soul and weeping over the future fates of
possible grandchildren, if she hadn’t been so tired and distracted, then the
bread would not have burned and the calamities that followed might have
belonged to some other house than Casa Ordoño, on some other street than
Calle de Dos Santos.
If, on that morning, Don Marius had bent to kiss his wife’s cheek before
he went about the day’s business, this would be a happier story. If he had
called her my darling, my dove, my beauty, if he had noted the blue lapis in
her ears, or the flowers she had placed in the hall, if Don Marius hadn’t
ignored his wife so that he could ride out to Hernán Saravia’s stables to
look over horses he could never afford to buy, maybe Doña Valentina
wouldn’t have bothered going down to the kitchen, and all of the tragedy
that was to follow would have poured out into the gutter and rolled down to
the sea instead. Then no one would have had to suffer anything but a
bowlful of melancholy clams.
Doña Valentina had been raised by two cold, distracted parents who felt
little toward her beyond a vague sense of disappointment in her tepid
beauty and the unlikelihood that she would make a good match. She hadn’t.
Don Marius Ordoño possessed a dwindling fortune, lands crowded with
olive trees that failed to fruit, and a well-proportioned but unassuming
house on one of the better streets in Madrid. He was the best that Valentina,
with her unremarkable dowry and less remarkable face, could hope for. As
for Marius, he’d been married once before to a redheaded heiress, who had
stepped in front of a carriage and been trampled to death only days after
their wedding, leaving him without children or a single coin of her parents’
money.
On Valentina’s wedding day, she wore a veil of golden lace and ivory
combs in her hair. Don Marius, gazing at their reflection in the watery
mirror propped against the wall in the front room of his home, had been
surprised by the jolt of lust that overtook him, inspired perhaps by his
bride’s hopeful eyes, or the sight of himself in his wedding clothes. But it’s
more likely he was moved by the brandied cherries he’d been eating all
morning, tucking them into his cheeks and chewing them slowly rather than
making conversation with his new father-in-law. That night he fell upon his
bride in a frenzy of passion, whispering poetry into her ears, but he had
managed only a few awkward thrusts before vertigo overcame him and he
vomited the plump half-chewed bodies of brandied cherries all over the
nuptial linen that Valentina had embroidered with her own hands over a
period of many weeks.
In the months and years to come, Valentina would look back almost
wistfully on that night, as Marius’s cherry-fueled ardor was the only sign of
passion or even interest in her that he had ever shown. And while it was true
that she’d simply gone from one loveless home to another, that didn’t mean
she didn’t feel the absence of love. Doña Valentina had no acceptable name
for the longing she felt, and no idea how to soothe it, so she filled her days
irritating their few servants with constant correction and existing in a state
of relentless dissatisfaction.
That was why she went down to the kitchen that morning—not once, but
twice.
The cook had grown increasingly erratic as her son’s obsession with the
playwright Quiteria Escárcega became known, so Doña Valentina made
sure to check on her every morning. That day, as she came down the stairs,
feeling the heat rise around her, she was greeted by the unmistakable odor
of burning bread and nearly swooned with the pleasure of something
tangible to complain about.
But the cook wasn’t there.
Valentina intended to remain, sweating in the heat from the fireplace, her
anger rising to a furious boil, refining a long rant against wastefulness,
negligence, and the cook’s general character. But a knock at the door
echoed above, and Valentina knew it might be someone who wished to
speak to her husband about his olives. It might even be an invitation—
/ 326
End of Document
175

FAQs

What event sets off the tragic story in The Familiars?
The story begins with the burning of bread, which is attributed to a series of unfortunate events involving the cook's son and his late return home. This seemingly trivial incident triggers a chain of calamities that affect the lives of those at casa ordoño, suggesting that small actions can lead to significant consequences.
Who is Doña Valentina and what is her background?
Doña Valentina is a central character in the novel, raised by cold and distracted parents who were disappointed by her lack of remarkable beauty and prospects. She marries Don Marius Ordoño, a man of dwindling fortune, and finds herself in a loveless marriage, feeling the absence of love deeply and struggling with her dissatisfaction.
How does Don Marius's past affect his relationship with Valentina?
Don Marius's past, particularly the tragic death of his first wife shortly after their wedding, casts a shadow over his relationship with Valentina. He shows little passion or interest in her, which leads Valentina to reflect wistfully on their wedding night as the only moment of intimacy he ever displayed.
What role does the cook play in the household dynamics?
The cook is a significant figure in the household, whose erratic behavior stems from her son's obsession with a playwright. Her relationship with Doña Valentina is strained, as Valentina frequently berates her for perceived failures, such as burning the bread, which adds tension to the already fraught atmosphere of casa ordoño.
How does Luzia contribute to the household and what challenges does she face?
Luzia, the scullion, plays a crucial role in the kitchen, often taking on the cook's responsibilities, especially when the cook is distracted. She faces numerous challenges, including her low status, the disdain of Doña Valentina, and the struggle to make ends meet, all while trying to maintain a sense of hope and ambition despite her circumstances.
What does the bread symbolize in the story?
The bread in the story symbolizes the fragility of domestic life and the impact of small mistakes on larger events. Its burning serves as a catalyst for the unfolding tragedy, reflecting the characters' emotional states and the tensions within the household, as well as the themes of disappointment and longing.
What does Doña Valentina's reaction to the burnt bread reveal about her character?
Doña Valentina's reaction to the burnt bread reveals her deep-seated dissatisfaction and need for control in her life. Her anger and frustration at the cook's negligence highlight her desire to assert her authority in a household where she feels powerless and unfulfilled, ultimately showcasing her inner turmoil and longing for significance.